Schiit Sol Turntable Review - Episodic.

Discussion in 'Vinyl Nutjob World: Turntable and Related Gear' started by purr1n, Sep 10, 2019.

  1. JackG

    JackG Rando

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    Installed my AT33PTG/II in place of the stock AT-VM95ML (I added the ML stylus, came with EN) and the MC is working great. More hum than I recalled on my previous deck but moving the SUT around as shown took care of that.

    I love listening to this table but every time I interact with it I truly miss my KAB SL-1200 MkII - hamfisted brute that I am. ;)

    [​IMG]
     
  2. nlitworld

    nlitworld Rando

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    Honestly I never thought there would be a sound quality improvement from the Cruise Control. I really noticed a lower noise floor when I bought one, and that alone is worth the price of admission.

    Another big tip is have the motor on a separate surface and isolate the table in some way. Separating the motor off the same surface again lowered the noise floor.

    I'd also recommend the Acromat that M.F. also recommended if you haven't done one already. Great lively sound without getting out of control and a solid improvement over the stock or a standard felt mat.
     
  3. nlitworld

    nlitworld Rando

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    Hey guys,
    I know it's been said here but I seem to have overlooked it, but has anyone had luck upgrading belts for a little better speed stability? It plays so nicely with most music, but I'd you play something like piano jazz with long sustained/repeated notes it announces the slight bit of wow it has. That's not to say it is much as I have consistently measured less than +/-0.08, but it is ever so noticable when playing that style of music. I would imagine (but not certain) it is more belt related than an offset or wobble in the platter. So, what other belt options have you all tried?
     
  4. ripblade

    ripblade Acquaintance

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    I was using a rayon sewing thread treated with liquid rosin for awhile. It seemed to impart more thrust or drive into the rhythm but also transferred hum from the motor to the platter so I stopped using it in favour of the rubber belt.

    I listen to a fair bit of solo piano as well. When I hear pitch waver it's usually due to a slight ripple warp visible in the light reflected while the record is turning. Sometimes it's the ground shaking the foundation of my house and only occurs during such times. And, more rarely, it's in the master tape.

    The Sol's unipivot is a mighty sensitive instrument which can reveal all kinds of problems elsewhere in the environment. If it was just the belt it would be audible all the time and not just occasionally .
     
  5. nlitworld

    nlitworld Rando

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    Interesting. I know the speed stability of the table is generally really good since I consistently measure +/- 0.07%. I find when the belt decides to walk around on the platter that I get the instability, and it does so somewhat infrequently but enough to notice on certain music. It's almost like when it was glued together it had a slight twist to it so it naturally wants to scoot up and down the platter side. Sustained or repetitive piano notes seem to be the biggest standouts. I'll try the string method and see if I can get anything good there. Not too worried about noise as I have the motor on a separate base from the table. If that doesn't work I'll search the depths of the internet for more belt options after that.
     
  6. ripblade

    ripblade Acquaintance

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    It could be that I'm more sensitive to hum and noise than I am to speed stability. I had to go to great lengths to eliminate motor noise, starting with cutting away the plastic jacket on the AC umbilical that connects the motor can to the plinth mounted circuit box. Next, I isolated the motor itself within the can by suspending it between the top of the can and circuit board below using sorbothane sheets. In effect, the motor itself no longer touches the can. Lastly, I improved the can and plinth isolation from the platform below by propping them up on sorbothane grommets, in addition to he existing rubber feet. With the original rubber belt in play, I'm happy to say that it's now as quiet and free of motor noise as the Oracle Delphi I was using before.

    Pitch wow, OTOH, is not nearly as good as the Delphi, at least not yet. If I could accommodate the Sol arm on the Delphi I'd probably still be using it instead, but the Delphi's armboard won't fit an 11" arm and the Sol's arm is much, much better than the modified Rega I currently have on the Delphi. So the Delphi sits unused awaiting a different arm while I'm rocking the Sol in the meantime.

    Mine did that initially but it doesn't anymore, and hasn't for quite awhile. Part of the problem is with the way the belts are stored folded up. The folds kink the belts, so they take a long time to unkink owing to the low tension on the belt. Flipping between pulleys to change speed might exacerbate things. I don't play many 45s so I don't have that problem.

    Keep any spare belts flat and unfolded in the box to reduce the time it takes for them to straighten out.
     

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