Super Best Audio Friends
The evolution of the original irreverent and irrelevant and non-authoritative site for headphone measurements, i.e. frequency response graphs, CSD waterfall plots, subjective gear reviews. Too objective for subjectivists; too subjective for objectivists
Did I mention that the headphone is gorgeous? I don't think photos do it justice. It's got a nice aluminum cap with the letters DT 177X GO stylishly printed on them. The "Made in Germany" in small print at the bottom is a nice touch! As far as style and layout, it's absolutely perfect.
So basically why the heck would I use a hardware EQ instead of software? Well, in the case of pi2AES and Volumio, the EQ plug-ins kind of suck. Also, some people such as myself prefer a physical interface. I've found a small learning curve with Behringer gear - I will go through the basics to get started quickly:
Top: miniDSP EARS with SBAF compensation
Bottom: Flat Plate (no ear) Coupler (compensated)
- After my journey of gear cycling, I’ve basically accepted that no open back headphone fits me better than my trusty JAR650. However, as much as I love my 650s, sometimes I crave for that subbass and monster slam to blast me off into another dimension. Previously owning the Borealis gave me a taste of what good slam can sound like, but I wanted more.. This is where Evan’s ESX900 comes in.
- I’m not sure how useful my impressions will be since mine is slightly tuned differently with a one-off monkeypod wood cups that are slightly deeper than the typical Fostex cups, but I imagine most of its inherent technicalities will be similar to Evan’s original and upcoming pairs for the loaner tour.
- OK so how do they sound?
- Tonally, it has some resemblance to Verite Closed, no joke, @ChaChaRealSmooth heard these briefly before me and we had similar thoughts regarding the tonality. Evan’s pair has a different set of pads than mine for a slightly more downsloping, smoother FR while my pair has the “pancake pads” that are flat, but very soft and pillowy.
Evidently, this successor to the HD800 was the HD700.
Sure the HD650 sounds great from the above. So do the Grados. Those are distractingly good. But the Utopia is on a whole 'nother level that sucks you in and won't let go.
- Early Impressions: https://www.superbestaudiofriends.o...magnius-headphone-amp.9736/page-4#post-313529
- Measurements: https://www.superbestaudiofriends.o...magnius-headphone-amp.9736/page-5#post-313633
- Hands thoughts: Post 1 and Post 2
@Psalmanazar mentioned something about idm in another thread. I am listening to early 90s The Future Sound of London.
One of the most amazing things that Kali has done which I don't think any other competitor has done, at least not to this extent, is provide an insane level of adjustability. There is serious pro stuff here. There are adjustments for half-space, quarter-space, free-space, and anything in between such as how far away from the wall the speakers are place. In addition, there are separate LF and HF trims with a center point of 700Hz with a slow rise to the shelf. The LP6 is also enormously versatile in terms of inputs, offering RCA, TRS, and XLR. There is a variable gain knob in lieu of an input sensitivity switch. Everything is illustrated on the back of the cabinet! There is no need to RTFM. Kali makes it easy.